A children’s room, creative space and ’yohaku’ 余白
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Children’s Rooms and the Meaning of Space
When we think about designing a room for a child, it is easy to assume that more colour, more objects, and more visual stimulation will help nurture creativity.
However, I often feel that the opposite can also be true.
Perhaps what matters just as much is whether a child has enough room to imagine.
As adults, we often design for children with the very best intentions. We want to give them things to look at, things to touch, things to enjoy, things to keep them engaged. Every choice comes from care.
But when a space is too full, something can be lost.
When everything has already been decided, arranged, and filled, there may be very little room left for a child’s own ideas to enter. A room can become rich in objects, yet poor in possibility.
I feel the same is often true of toys.
Many parents naturally assume that the more toys a child has, the better. More choice can seem like it should lead to richer play. More stimulation can look like a more creative environment.
But in practice, too many toys can sometimes have the opposite effect.

When children are surrounded by too many options, their attention can become scattered. Play can move quickly from one thing to the next, without enough time for depth, focus, or invention. Instead of entering deeply into play, they may simply move across the surface of many different things.
A smaller number of toys can sometimes invite a much richer kind of play.
When there are fewer possessions, children begin to play in their own unique ways: they play with the same toys repeatedly in different ways, invent new uses for them, or create original stories around them. What looks like “less” can, in fact, create more room for imagination.
I feel that this space resonates with the Japanese concept of yohaku - a sense of intentional space, and the quiet it can offer imagination.
Space in the room.
Space on the desk.
Space for a child to wonder what something could become, rather than always being told what it is for.
Yohaku is not emptiness as absence. It is emptiness with purpose. It is the quiet space that allows something else to emerge.
In a child’s room, that kind of space can be powerful.
It can make the room feel calmer and more open. It can soften the atmosphere. It can support curiosity, creativity, and independent play. It can give children more freedom to bring their own thoughts, stories, and imagination into the space around them.
Through my work with Maminka, I find myself thinking about this more and more: how to create spaces for children that do not overwhelm them, but gently welcome them.
Because sometimes, creativity does not grow from having more.
Sometimes, it grows from having a little room left over.
